Next Gen Producers
What is BAC Next Gen Producers?
BAC Next Gen Producers is our annual programme for people aged 18-29 who want to develop practical skills in live event producing. The programme takes place over 15 weeks between February and June.
We take on 8 producers each year and hold weekly sessions where we host creative workshops facilitated by BAC staff and other industry professionals. Participants can expect to hone their producing skills in areas such as budgeting, contracting, marketing, artist liaison and event delivery.
As the cohort develop these skills, they are also working towards building our annual Homegrown Festival. This is the culmination of the programme which sees an entire building takeover across a weekend at the end of May.
Next Gen Producers is part of BAC’s Next Gen creative engagement programmes for ages 11-29, generously supported by Arts Council England and Apple, with additional support from Craig Mawdsley, The Mackintosh Foundation, The D’Oyly Carte Charitable Trust, and The Idlewild Trust.
2025 Cohort
Suyeon Na
Suyeon is a cultural producer and arts administrator working across Seoul and London, currently with New Adventures. She believes in the transformative power of the arts, particularly in the lives of children and young people, and has produced performances and arts education programmes across dance, media and theatre. Recently, she has become increasingly interested in how producers connect, how collaboration, care and shared vision can shape stronger creative ecosystems. She hopes the spaces she produces feel open and welcoming, where art is not intimidating but something people can step into and experience together.
Maggie Idio (she/her)
Maggie is a South East London–based creative with a strong connection to Battersea Arts Centre, having performed in WRESTLELADSWRESTLE. She was part of the 2025 cohort of Lyric Hammersmith Theatre’s Young Lyric Associates, receiving specialist masterclasses to develop her as a multidisciplinary creative. She is passionate about the power of art to drive change and amplify marginalised voices, demonstrated through producing the evening programme for Skaped’s Artivism Festival, centred on migration and solidarity. Maggie is currently training on the National Theatre’s How to be a Producer course and the National Youth Theatre’s Playing Up, developing both producing and acting skills.
Summer Xue (she/her)
Summer Xue is a London-based emerging creative producer working across theatre and collaborative performance. Her work spans from fringe platforms to international theatre festivals across the UK, Europe and China. She is particularly interested in cross-cultural storytelling and socially engaged practice, and often works through interdisciplinary collaboration to develop projects that foreground collective voice. Her current work includes a solo performance exploring East Asian women’s narratives and a theatre project engaging with autism and lived experiences of neurodiversity. Summer approaches producing as a form of bridge-building—connecting cultures, disciplines and communities through thoughtful creative processes.
Isobel Cook (she/her)
Isobel is a a dance artist, educator, and producer, blending performance, teaching, and youth development. Trained in Dance and Secondary Education, she began her career teaching GCSE Dance, inspiring students with the excitement, empowerment, and transformative power of dance. Since 2023, she has produced socially engaged Hip-Hop theatre work and events at Impact Dance, championing bold and ambitious youth dance projects. She is passionate about producing work that is unique, thought-provoking, and unforgettable — crafting platforms and events that challenge perceptions and explore the complexities of the human experience. Currently, she is developing her practice on BAC’s Next Gen Producers programme, exploring innovative ways to create, produce, and collaborate while shaping her journey as a dance artist and producer.
Grace O'Brien (she/they)
Grace O’Brien is a Welsh, Working-Class, Disabled Multidisciplinary Artist originally from the Valleys in South Wales. In 2020, she received a micro-bursary from Theatr Clwyd, which was used to launch her gig-theatre company, Purple String Productions. Grace is looking to expand her producing skills to take this to the next level. Her project The Welsh Lxdies, was first developed at New Diorama Theatre (2022) before its journey to The Other Room Theatre (2022), VAULT festival (2023), and a scratch tour to rural venues in Wales supported by the Noson Allan Scheme. It has recently undergone two further Research & Development stages supported by Arts Council Wales and The Birkdale Trust ahead of a future large-scale tour. In 2025, she co-produced a project called Page to Stage: Lightning Writes at BOLD Theatre in Elephant and Castle (as featured on BBC Open Call). This was a free development scheme for x 10 emerging-mid career Working-Class, d/Deaf, Disabled and/or Neurodivergent writers, which culminated in a filmed industry sharing, supported by Arts Council England. She produces and hosts bi-monthly open mic nights called Cartref yn y Ddinas at the London Welsh Centre. Grace is driven by a passion for creating community-driven work that speaks to and from the Working-Class experience, embedding access from inception. As part of the Homegrown Festival 2026, she would love to fuse Art and Sports via a fundraising event for Jamaica’s National Rugby League Team, The Reggae Warriors, with a focus on its Working-Class roots and legacy to help build investment, support and a sustainable future. Grace is a long-term supporter of the team (and recently travelled as far as Albi, Southern France to support her brother-in-law in action!).
James Dolan (he/they)
James Dolan is an artist and producer creating within live art, installation and theatre. Originally from Ipswich, now based in London, James graduated with a first-class degree in BA(Hons) Experimental Arts and Performance from The Royal Central School of Speech and Drama. James is interested in work that resists representation, asking questions rather than providing answers. They are most excited when performance is not bound by form: art-y theatre, theatrical art. They are committed to developing communities around emerging live art practices, where artists can develop and support one another. Where artistic work can simultaneously be ambitious and financially sustainable.
Ye Jin Park (she/her)
Jin is a creative producer, writer, and multidisciplinary artist whose practice centres on interactive, intimate, and sensory-engaging approaches to sociopolitical issues. Through embodied experiences and scenographed sensation, she cultivates empathy by inviting audiences to step into others’ worlds in shared presence and perception. She runs InOutDoor, a one-person performance-making production that independently produces, creates, designs, and performs original work. Her work examines thresholds and boundaries that are rooted in the metaphor of the door, standing in solidarity with entities kept outside and seeking to gently dissolve the divisions that separate us.
Lania Hamilton (she/her)
Lania Hamilton is a British-Filipino writer-producer, interested in braiding cultural anthropology with global and community theatre. She is the founder of Saint Bernandino, a Filipino performance materials repository. She recently graduated from the University of Cambridge, ranking first in her class, where she studied Education, English and Drama.
What happened at Homegrown 2025?
Homegrown 2025 saw a total of ten events curated by the cohort, taking place throughout the building on the weekend. There were also various additional activities from our other youth programmes taking place.
Events ranged from henna workshops, cabaret, networking parties with live artists, immersive exhibitions and many more.